
Seventh Veil
Feature · Horror · 90 min
Seventh Veil
A bride’s wedding becomes a vessel for an ancient curse buried beneath seven generations of silence. Middle-Eastern horror with an international finish.
Available by request — confidentialWe develop and produce films and series that travel — Middle Eastern horror, supernatural thrillers, speculative fiction with global reach. Local stories. Universal scares.
We advise governments, sovereign funds, and institutions on building the creative economy — from major sporting events and film incentives to media policy and tourism strategy.
Six projects in development, distribution, and active production. Genre-led. Speculative. Rooted in Middle Eastern myth and culture, built for international audiences. Available by request — confidential.





Eight sectors. One conviction: CULTURE IS INFRASTRUCTURE.
Content strategy, growth, monetization, and platform plays for the streaming era.
Major event hosting, fan engagement, commercial innovation, sports asset investment.
Policies, programs, and models that shape the next generation of regional talent.
Strategies that foster investment, job creation, and sustainable industry growth.
Forward-thinking policies, institutions, and impact-driven government initiatives.
Destination strategy, visitor experience design, long-term economic value capture.
Sustainable models that fuel cultural innovation and global cultural reach.
Urban strategies and infrastructure projects shaping the built environment.
Client won the bid to host a large-scale regional sporting event but lacked a clear understanding of infrastructure, hosting, and logistics needs. We delivered a comprehensive feasibility study covering market potential, infrastructure readiness, funding strategy, and stakeholder engagement.
Built a granular economic impact model for a national film incentive program — assessing job creation, FDI multipliers, downstream industry effects, and benchmarking against global competitors. The output became the policy's quantitative backbone.
Developed a 5-year national strategy for a cultural organization — mapping vision, programming pillars, audience strategy, commercial sustainability, and KPI architecture. From mission statement to year-by-year execution roadmap.
Diagnosed underperforming commercial verticals across a state-affiliated broadcaster — restructured the offering, repriced inventory, redesigned the partnership model, and stood up a sales operating system that could actually be run by the team.
Three founders. McKinsey, Roland Berger, Arthur D. Little, the Office of the First Deputy Prime Minister of Bahrain. Columbia, Oxford, LSE, Bristol, UCLA, NYU. Plus the small detail of having actually made the films.

Producer and consultant with 15+ years in media and advisory. Producer on Our Home, A Small Dream, Victim 11, Firstborn. Director on The End is Here. Writer on The Skeleton Whale, Hollow.

Writer and consultant with 12+ years in advisory, script and novel-writing. Writer on Victim 11, Seventh Veil, Firstborn, Bait Al-Jinn. Two contemporary thriller novels. Three gothic fantasy novels.
A film no one has tried to make. A sector no one knows how to model. A story that needs both.
That's the Fablemill room.